Myanmar traditional painting developed with the religion of Buddhism in the Bagan area. Most of the paintings date back to the period Bagan Myanmar, which began in the 11th century AD. There is also the work of the Kon-Bong era (which ended in the 19th century) and the Ava period. During the Mandalay 19th century, many beautiful paintings were made in books called flip Parapaik and canvas. Many paintings were copied and collected by the Archaeological Service of Myanmar.The history of painting in Myanmar dates back to prehistory. Stone Age paintings were discovered in the cave Pyadalin Taunggyi District of Shan State. Nine murals, sketches and brown are found at a height of about 10-11 feet on the walls of the cave. Some wall paintings found in the cave “Ławka Hmankin” at sagaing hill in central Myanmar. This cave was built in the time INWA Nyaung Yan dynasty between the 13th and 16th centuries in the ceilings of the caves are murals depicting the life of Buddha, the jatakas and floral motifs.
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11th century mural paintings have a strong Indian influence Eleventh pagan and floral prints are the main elements of the paintings. Bagan times stood in the line drawing artists, and popular techniques include painting outdoors oil and tempera painting. Most of the paintings are the Jataka 550 (stories of Buddha). Paintings INWA began representing the social life of people and only the red and green paints are mainly used in the murals.
In early Kon-Bong era (17th century), paintings mark the transition of Myanmar traditional dish Western styles of perspective and paint colors. The blue color was used generously and paintings recorded the lifestyle, entertainment and performing at the time. In Mandalay Ya-Da-Nar-Bon was in the 19th century, the Western-style painting began to penetrate, but sketches of traditional lines remained intact. During the colonial era Western styles and modern techniques, they were introduced and became popular. Contemporary art also flourished in the 20th century and contemporary art today Myanmar is mainly impressionistic. In the old paint palm leaf and flourished scroll painting. Some of these paintings are still intact in some pagodas and monasteries and the National Museum of Myanmar.